Emma Myers takes center-stage as Pip Fitz-Amobi in the television adaptation of Holly Jackson’s A Good Girl’s Guide to Murder. Moments of levity and suspense intertwine within the young adult murder mystery series, and the soundtrack contains songs to accompany happy and scary times.
The show, which premiered on Netflix in 2024, quickly became a cultural phenomenon, drawing in millions of viewers with its twist-filled narrative and relatable protagonist. The soundtrack plays a crucial role in setting the tone, blending indie, alternative, and pop tracks that mirror Pip's emotional journey. Season 1 introduced viewers to a carefully curated mix of songs that underscored key moments, from Billie Eilish’s "you should see me in a crown" to AWOLNATION’s “Sail.” Beach House’s “Take Care” provided a soft respite in a later episode, while Yonaka’s “Seize the Power” energized Episode 2 after appearing in the show’s trailer.
Both Eilish and Yonaka return in the second season of the Netflix and BBC series, joined by Hozier and alt-J for multiple needle drops, as well as Lizzy McAlpine for the closing song. Season 2 expands the musical palette, introducing folk, electronic, and even classical influences. Hozier’s brooding “Arsonist’s Lullaby” sets the stage for Episode 1, while alt-J’s “Tessellate” punctuates a crucial moment in Episode 6. The inclusion of Lizzy McAlpine’s “doomsday” as the finale’s closing track reinforces the emotional stakes of Pip’s final confrontation. Below, we break down the complete soundtrack for both seasons, episode by episode.
Season 2 Soundtrack
Episode 1 opens with Hozier’s “Arsonist’s Lullaby,” a haunting folk ballad that foreshadows the simmering tension of the new mystery. The episode also features Sofia Isella’s “All of Human Knowledge Made Us Dumb,” a synth-laden track that comments on the limitations of logic, and Valerie Broussard’s “Trouble,” which amplifies the sense of dread. YONAKA’s “PREDATOR” returns from Season 1 with a vengeance, while Parov Stelar’s “Booty Swing” injects a playful, retro energy. Lane 8 & Art School Girlfriend’s “The Deep” provides a dreamy interlude, and Paris Paloma’s “LABOUR (the cacophony)” adds a feminist anthem to the mix. Jamie’s Band’s “So Long, Silver” and KALEO’s “Way Down We Go” deepen the emotional weight, while Jacob Alon’s “Fairy in a Bottle” and MAYLIN’s “Twisted” close out the episode with atmospheric textures.
Episode 2 continues the momentum with Billie Eilish’s “all the good girls go to hell,” a dark pop track that mirrors Pip’s moral dilemmas. SYML’s “Fear of the Water” and Kiergy’s “Where Your Secrets Hide (feat. Katie Garfield)” explore themes of concealment and vulnerability. Episode 3 picks up with Lola Blanc’s “Angry Too,” an empowering rock anthem, before YONAKA returns with “PREDATOR” for a second time. alt-J’s “Left Hand Free” adds a lighter, indie rock touch to the episode’s investigative scenes.
Episode 4 features Barns Courtney’s fiery “Fire,” followed by Billie Eilish’s “COPYCAT,” which reinforces the theme of identity. AURORA’s “The Seed” brings ethereal energy, while Chris Avantgarde & Red Rosamond’s “Inside” creates a claustrophobic electronic atmosphere. Episode 5 dives into Hozier’s “Angel of Death and the Codeine Scene,” a dramatic folk piece, alongside Gang of Youths’ emotional “Achilles Come Down.” The Cinematic Orchestra’s “To Build a Home (feat. Patrick Watson)” offers a poignant piano-led moment, and CHINCHILLA’s “Little Girl Gone” delivers raw power. Tom Odell’s “Butterflies (feat. AURORA)” and Picture Parlour’s “Face in the Picture” round out the episode with lush arrangements.
Episode 6, the season finale, relies on alt-J’s “Tessellate” to heighten the suspense, followed by The Cinematic Orchestra’s “That Home” for emotional resolution. London Grammar’s “Wasting My Young Years” underscores Pip’s introspection, and the season ends with Lizzy McAlpine’s “doomsday,” a tender acoustic ballad that leaves viewers with a sense of closure and hope. The diversity of genres in Season 2 reflects the show’s growth, incorporating darker electronic flavors and folk-infused melodies that align with the deepening mystery.
Season 1 Soundtrack
Episode 1 of Season 1 opens with The Last Dinner Party’s “The Feminine Urge,” a baroque pop anthem that introduces Pip’s rebellious spirit. Moderat’s “A New Error” adds a mysterious electronic pulse, while BBC Big Band’s “In the Big Mood” and Lykke Li’s “Gunshot” provide contrasting moods. Episode 2 features Yonaka’s “Seize the Power” as a rallying cry, followed by Wet Leg’s “Wet Dream” for comedic relief. Gil Scott-Heron’s “Me and the Devil” injects bluesy tension, and Siobhan Sainte’s “Midnight” closes the episode with nocturnal ambience.
Episode 3 is anchored by AWOLNATION’s “Sail,” a defining track of the early 2010s that captures the show’s rebellious edge. Mansionair & NMBe’s “Guillotine” and Starmaxx’s “Patient Zero (feat. Brett Castro)” maintain the intensity, while Matstubs & Rfen’s “Osiris” and the collaborative “Funnel of Love (feat. Madeline Follin)” add indie flair. Episode 4 opens with Highasakite’s “Since Last Wednesday,” a dreamy pop track, followed by Beach House’s “Take Care,” which provides a tender moment between characters. Billie Eilish’s “you should see me in a crown” closes the episode with a power anthem, signaling Pip’s growing confidence.
Episode 5 features Jockstrap’s “Concrete Over Water,” a dissonant but compelling track that mirrors the episode’s emotional turmoil. Episode 6 concludes the season with Fever Ray’s “Keep the Streets Empty for Me,” a haunting electronic piece, and clipping.’s “Nothing is Safe,” which amps up the danger. Moderat’s “A New Error” returns, and Sylvan Esso’s “Coffee” offers a gentle comedown. The season ends with Irma Thomas’s “Anyone Who Knows What Love Is (Will Understand),” a classic soul track that reinforces the central theme of empathy and understanding.
The soundtrack of A Good Girl’s Guide to Murder is a masterclass in musical storytelling. Each song is carefully selected to reflect the characters' inner lives and the investigative journey. Season 1 relied heavily on alt-pop and indie rock to capture the zeitgeist of teenage sleuthing, while Season 2 expanded into folk and electronic territory, mirroring Pip's increased maturity and the darker stakes. Composer and music supervisor [not named] worked closely with showrunner [not named] to ensure every needle drop enhances the narrative without overwhelming it. The inclusion of artists like Billie Eilish and Hozier, who both have deep connections to themes of justice and inner conflict, aligns perfectly with the show's core messages.
For fans of the books, the soundtrack also serves as a bridge between the page and the screen, offering a fresh auditory landscape that complements Holly Jackson’s prose. The series has been praised for its inclusive representation and complex female protagonist, and the music amplifies that impact. Whether it’s the rebellious energy of Yonaka or the introspective calm of Lizzy McAlpine, each track contributes to the immersive world of Little Kilton. As viewers stream the series, they can now follow along with this comprehensive guide, enjoying the songs that make Pip Fitz-Amobi’s journey so unforgettable.
Source: Yahoo Entertainment News